{"id":1963,"date":"2024-06-18T13:14:33","date_gmt":"2024-06-18T13:14:33","guid":{"rendered":"http:\/\/academiemixte.com\/?page_id=1963"},"modified":"2024-07-08T14:37:57","modified_gmt":"2024-07-08T14:37:57","slug":"ven-12-07-concert-final-de-proxima-centauri","status":"publish","type":"page","link":"http:\/\/academiemixte.com\/en\/ven-12-07-concert-final-de-proxima-centauri\/","title":{"rendered":"Ven. 12\/07 : concert final de Proxima Centauri"},"content":{"rendered":"
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Le concert des compositrices et compositeurs \u00ab\u00a0MIXTE\u00a0\u00bb<\/h1>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cinq jeunes compositrices et compositeurs \u00e0 l’honneur !<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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La semaine d’Acad\u00e9mie se conclue par la d\u00e9couverte en avant-premi\u00e8re des cr\u00e9ations des cinq laur\u00e9at\u00b7es de l’appel \u00e0 projet de composition<\/span><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Vendredi 12 juillet \u00e0 11h30
Chapelle des R\u00e9paratrices, Pau<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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L'ensemble Proxima Centauri et Pascal Rousseau<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Suite \u00e0 un appel \u00e0 projet de composition en 2023, elles et ils ont \u00e9t\u00e9 s\u00e9lectionn\u00e9\u00b7es pour la qualit\u00e9 de leur projet.<\/p>

Une contrainte : \u00e9crire une composition pour la palette sonore de l’ensemble Proxima Centauri (saxophone, flute, piano, percussion, \u00e9lectronique), m\u00ealant donc instruments \u00ab\u00a0classiques\u00a0\u00bb et sonorit\u00e9s \u00e9lectroniques, augment\u00e9e du tuba du musicien Pascal Rousseau.<\/p>

Henri Colombat<\/span>, Ehwa Hong<\/span>, Luciana Perc<\/span>, Guilherme Ribeiro<\/span> et Fernando Strasnoy<\/span>, les cinq compositeurs et compositrices laur\u00e9at\u00b7es, passeront la semaine d’acad\u00e9mie \u00e0 affiner les contours de leur pi\u00e8ce avec les compositeurs encadrants et les musiciennes et musiciens qui en assureront l’interpr\u00e9tation lors du concert final.<\/p>

Ce vendredi 12 juillet \u00e0 11h30 la Chapelle des R\u00e9paratrices de Pau<\/span><\/strong> les \u0153uvres seront jou\u00e9es en avant-premi\u00e8res<\/span>, et disposeront d’encore un peu de temps d’aff\u00fbtage avant leur cr\u00e9ation mondiale\u00a0dimanche 24 novembre 2024 au Th\u00e9\u00e2tre des Quatre Saisons de Gradignan, dans le cadre du Festival M\u00c0D<\/span><\/strong> qu\u2019organise chaque ann\u00e9e Proxima Centauri \u00e0 Bordeaux et dans sa m\u00e9tropole.<\/p>

Ce concert final de fin d’acad\u00e9mie est donc un temps privil\u00e9gi\u00e9 de d\u00e9couverte et d’\u00e9change avec la jeune cr\u00e9ation.<\/p>

Les 5 \u0153uvres pr\u00e9sent\u00e9es :<\/span><\/p>

Henri COLOMBAT<\/span><\/strong> \u00b7 \u00c9tude sur le flou<\/em><\/span>
pour fl\u00fbte, saxophone, percussion, piano et \u00e9lectronique<\/span>
Cette pi\u00e8ce fait partie d\u2019une s\u00e9rie d\u2019\u00e9tudes mettant l\u2019acte photographique en sc\u00e8ne pour puiser dans sa th\u00e9\u00e2tralit\u00e9 gestuelle et dans sa relation particuli\u00e8re au souvenir et au son. L\u2019appareil photo analogique sert \u00e0 orienter l\u2019\u0153uvre \u00e0 l\u2019int\u00e9rieur de mes propres souvenirs. A travers l\u2019\u00e9lectronique, un pass\u00e9 flou, avec ses lieux et ses sons particuliers, est non seulement \u00e9voqu\u00e9 mais bri\u00e8vement habit\u00e9 par la musique.<\/p>

Ehwa HONG<\/strong> \u00b7 Le Labyrinthe de Thanatos<\/em><\/span>
pour fl\u00fbte, saxophone, percussion, piano et \u00e9lectronique<\/span>
Nom de la pulsion de mort dans la th\u00e9orie freudienne, oppos\u00e9e \u00e0 Eros la pulsion de vie, Thanatos symbolise la destruction et le d\u00e9sir de retourner \u00e0 un \u00e9tat de paix originel. A travers divers contrastes composant constamment de nouvelles figures et images sonores, la pi\u00e8ce est une exploration artistique des instincts sombres, invitant \u00e0 l\u2019introspection sur soi-m\u00eame.<\/p>

Luciana PERC<\/span><\/strong> \u00b7 Virtual Galaxy Simulation<\/em><\/span>
pour fl\u00fbte, saxophone, tuba, percussion, piano, \u00e9lectronique et vid\u00e9o<\/span>
Cette pi\u00e8ce de chambre avec vid\u00e9o et \u00e9lectronique explore la sonification des donn\u00e9es cosmologiques, \u00e0 partir de la simulation graphique de formation des galaxies ASURA par Takayuki Saitoh et Takaaki Takeda. Travaillant \u00e0 partir des coordonn\u00e9es spatiales, et tra\u00e7ant des correspondances entre lumi\u00e8re, couleur et son, cette pi\u00e8ce propose de nouvelles fa\u00e7ons d\u2019imaginer et mat\u00e9rialiser les sons de l\u2019univers.<\/p>

Guilherme RIBEIRO<\/strong><\/span> \u00b7 Gir\u00e0<\/span><\/em>
pour fl\u00fbte, saxophone, tuba, percussion, piano et \u00e9lectronique<\/span>
\u00ab Nous sommes le d\u00e9but, le milieu et le d\u00e9but. \u00bb (Nego Bispo). Con\u00e7ue \u00e0 partir de gestes sonores circulaires, \u00ab Gir\u00e1 \u00bb est une pi\u00e8ce qui \u00e9voque la circularit\u00e9 des cultures afro-br\u00e9siliennes manifest\u00e9e dans leur mode d\u2019organisation sociale, dans leur philosophie, leur spiritualit\u00e9 et leur art. Du cercle de capoeira et du cercle de samba au cercle d\u2019umbanda, le \u2018tourner\u2019 r\u00e8gne.<\/p>

Fernando STRASNOY<\/strong> \u00b7 <\/span>elaborate fingers possibly touch<\/span><\/em>
pour fl\u00fbte, saxophone, tuba, percussion, piano et \u00e9lectronique<\/span>
Cette \u0153uvre fait partie d\u2019un trin\u00f4me inspir\u00e9 par le po\u00e8me \u201cbut the other\u201d \u00e9crit par e.e. Cummings. Elle met en place un syst\u00e8me de dualit\u00e9s dans plusieurs param\u00e8tres du son, notamment dans le contraste et la porosit\u00e9 entre les champs acoustique et \u00e9lectronique. Le r\u00e9cit se base sur les \u00e9chos de la construction, de la d\u00e9construction et de la reconstruction des mat\u00e9riaux.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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INFORMATIONS PRATIQUES<\/p><\/div><\/div>

Adresses :
<\/strong>\u2022 Chapelle des R\u00e9paratrices, 3 Rue des R\u00e9paratrices 64000 Pau<\/p>

Informations & billetterie :<\/strong>
Proxima Centauri \u2022 05 57 95 71 52 \u2013 06 98 16 05 67 \u2022 proximacentauri@proximacentauri.fr<\/p><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

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